Joe Satriani - Cool #9

This is a live performance by guitarist Joe Satriani playing the song "Cool #9" live. The performance is from the "Satriani: Live" DVD. It also features bassist Dave LaRue laying down the funky bass and doing a little solo too.
The song is the opening track to the album titled "Joe Satriani" from 1995. That album showcased a more laid back attitude and a bluesier sound than all of Satriani's previous recordings. "Cool #9" is also a laid back funk blues kind of thing, but Satriani still plays in that ultra technical style through parts of it.
It's a great funky little instrumental by a great guitarist.

Enjoy ; )

Stevie Ray Vaughan & W.C. Clark - Insturmental Jam

This is a performance video by Stevie Ray Vaughan that I only recently discovered. It features Stevie Ray Vaughan and fellow Texan musician W.C. Clark on the bass. As the song is an instrumental jam there is no song title.
W.C. Clark is a Texan blues, funk and jazz musician. He plays both guitar and bass. He first learned the guitar at around age fourteen and then moved on to playing bass. In the 1970's he formed a band called "Triple Threat Revue" where he played with Lou Ann Barton and Stevie Ray Vaughan. He played in many bands in this period and also played with Stevie's brother Jimmie Vaughan in another band.
This instrumental jam is a true gem among SRV fans. It's really great to hear how well he fits in with the whole funk thing. Also his soloing and rhythm playing on this is spot on perfect. I know they probably rehearsed this prior to the performance, or more correctly, I'm assuming that, but who knows maybe it really is all improvised. All I know is that it is a really good performance and Stevie's abilities as a guitarist really shine through.

Thelonius Monk - Blue Monk

This is a live performance by jazz legend and jazz composer Thelonius Monk playing his classic jazz standard "Blue Monk". The performance was shot in Norway in 1966. The musicians joining Monk are: Charlie Rouse on tenor saxophone, Larry Gales on bass and Ben Riley on drums.
As mentioned earlier "Blue Monk" is an instrumental jazz standard composed by Thelonius Monk. It is a B♭ blues based on the jazz tune "Pastel Blue".
Thelonius Monk is considered one of the great contributors of American music and he has written several jazz standards, "Blue Monk" included. He was known for his very distinctive and unique approach to the piano, for his clothing style and for standing up in the middle of songs and taking breaks to then return to the piano. He also does this in this performance. In fact all musicians but the drummer do this and then at the end they all join in again.
It's a great performance and you can really tell that the musicians are in sync with each other and leave space and respect to one another. This is a great laid back performance of a great jazz standard.

Enjoy ;-)

The Who - Baba O'Riley

This is a live performance by British rock band "The Who" playing the song "Baba O'Riley". The song was written by Pete Townshend and released in 1971. The song is known for it's use of early electronic experimentation done by Townshend and for it's crashing chorus of F-C-B♭ power chords. This has made the song very popular at concerts and also a favourite on classic rock radio stations.
The song was released as a single in many European countries, but in the US and the UK it was only released as part of the album "Who's Next". On the original recording there is a violin solo as the song goes into the Irish folk style beat at the end. At most live concerts, this clip included, this is replaced by a harmonica piece played by Roger Daltrey.
The song has been ranked as the 340th Greatest Song of All Time. A remixed version of the song is also used as the theme for the TV-show CSI:NY. In fact: Every CSI show uses a Who song as their intro.
For me what also stands out on this song, and on every Who song ever recorded is the bass playing of John Entwistle. He is definitely one of the greatest bass players ever, and was one of the first who was able to really show off on the instrument, and not just be backing for the group. Below is a clip. It is the same clip as the one above, but with the isolated bass track. It's for geeks, but mind boggling to listen to.

In fact Entwistle's bass playing is what made it possible for the group to be a trio with a singer. He filled in in just the right places to make the band's sound not sound no smaller than any other band. It's like Noel Gallagher said: "They're all playing lead, aren't they, all of them", and he's right. That's the sound of The Who: a trio where everyone is playing lead. Quite impressive.

Motörhead - Stay Clean

This is a live performance by rock band Motörhead playing a version of their classic song "Stay Clean".
I really love this song and the performance the band puts on. Lemmy plays a banging job on the bass, and I love the bass solo towards the end, it's so fast and bad-ass, gotta love that.
Of course Mikkey Dee delivers a banging rhythm throughout the song and Phil Campbell ends the song nicely with a very good solo.
A great performance of a great song by a great band.

Enjoy ; )

The White Stripes - Seven Nation Army & Death Letter

This is a live performance from the Grammy Awards, don't know what year, haven't looked into that. They play their probably most recognizable song from their career "Seven Nation Army". The song was released as a single in 2003 and was the opening track for the band's album titled "Elephant". The song reached the tops of modern rock charts and also won a Grammy Award for best Rock Song in 2004.
The song is known for it's lower register toned bassy guitar riff. It is in fact a riff that sounds like a bass, but it's played on guitar. Jack uses his semi-acoustic 1950's style guitar and runs it through a Digitech Whammy Pedal that drops it one octave giving the sound it's bassy guitar riff.
The song is played in Open A tuning, and he uses slide on it which I think just sounds amazing.
Towards the middle of the performance there's a break and they start playing their version of the classic blues song "Death Letter". I really like this version and I love how agressive Jack's slide playing is, I really love it and you can hear the roots dating back to Son House. I earlier posted Son House's version of Death Letter CLICK HERE for that performance. It's a great performance from a great band.

Enjoy ; )

Steve Vai - Jibboom

This is a performance by guitarist Steve Vai playing something a little more bluesy and outside his comfort-zone. The song appears on Vai's 1999 album "The Ultra Zone".
On the album Vai mentions that this track is an homage to blues guitarist Stevie Ray Vaughan. And you can definitely hear the resemblance, it's a classic blues progression that sort of is a take-off/sounds similar to songs recorded by SRV song like Scuttle Buttin', Mary Had a Little Lamb and Testify. It's an homage and it's own original thing, but the general feel and groove of the song is similar to many SRV songs.
Steve Vai recently said in a video posted on his official youtube channel that blues is outside his comfort-zone. He jokingly says that he plays blues within the comforts of his own home which is a pretty funny thing to say. (I've embeded the video below, he also shares some very good practice-techniques for guitar)

I really love how long this performance is. It starts out with the basic song, and then goes into Vai soloing. Then it turns into a "call and response" sort of thing between Vai and the bassist which is just awesome. The bassist really does an amazing job, and the two performers play to well together and interact so well on stage. At the end Vai goes into a Hendrix style guitar thing, making sounds by using the whammy bar, the natural harmonics and the control knobs to really make the guitar scream.
This is an awesome performance and awesome showmanship. Gotta love that!!

Enjoy ; )

George Harrison ft. Eric Clapton - Taxman (SRV)

This is a live performance from George Harrison, joining him on stage is his good friend Eric Clapton. Clapton is very respectful and doesn't steal the show, he respectfully stays in the background and plays the lead part when needed.
The song Taxman was released by The Beatles on their 1966 album Revolver, it is the opening track on the album. The song is written by George and it is about the high progressive tax the British government was taking at this time. It was basically written after Harrison found out how much of his income was being taken by "the taxman". On the record version the solo and guitar parts are played by Paul McCartney, he also plays the bass on the track.
Click here for a sample from the album version of the song. (Taken from Wikipedia.)
This live version is really good, and Clapton does a really good job. However I've always more leaned towards Stevie Ray Vaughan's interpretation of the song. It is very different from the original, and it doesn't even have the same key-centre. The original version by Harrison is in G, and SRV's version is in B♯. I think it just sounds better and is played with more attitude (and also in a humorous way). The original version has that 60's mercy beat sound, and SRV's version is more bluesy and done in a Texas style which is more my flavour. SRV never got to perform it live, and it has only been released on his 1995 Greatest Hits album (as the only never before released track). Both versions are excellent, I just prefer Stevie's which is embeded beneath.


Enjoy both versions!! ;-)

Rolling Stones ft. Christina Aguilera

This is a performance by British rock 'n' roll band The Rolling Stones featuring Christina Aguilera. They play the classic Rolling Stones song "Live with Me" from their 1969 record "Let It Bleed". It isn't the most famous song be The Stones, but it is considered an important song amongst fans. It was one of the first recordings where guitarist Mick Taylor contributed. It is the first song where Keith Richards is credited for playing bass (he only played bass on the original recording, and sticks to playing guitar in the performance clip above). This original recording was also the first song to feature sax player Bobby Keys.
The performance in the clip above is from Martin Scorcesse's concert film "Shine a Light" from 2008. It's a really good film, and it hosts some really good and solid performances from the band, and is excellently shot.

Previous posts from the film "Shine a Light"
Brown Sugar
You Got The Silver
Champagne And Reefer (ft. Buddy Guy)

Enjoy ; )

Bonnie Raitt - Love Me Like a Man

This is a 1995 performance from Bonnie Raitt, she plays the song "Love Me Like a Man", an acoustic traditional slow blues song with a traditional non slide blues solo from Raitt. This is just pure blues, and it absolutely proves that Bonnie deserves a rank among the best. This is just pure blues, it's acoustic and old school, gotta love that. She is only accompanied by a bass, and supplies both the singing and sweet guitar playing herself. Truly an amazing performance from a female blues singer with a delightfully raspy beautiful voice and guitar playing skills that match the skill of all the male blues players out there. Let's face it, there aren't a lot of female guitarists doing the blues thing which just furthermore makes Bonnie unique, there aren't no one who is doing what she's doing. She's amazing, gotta love Bonnie Raitt!

Enjoy ; )

B.B. King - When It All Comes Down

This is a live performance from guitarist B.B. King at the prime of his career. He plays the song "When It All Comes Down" and we get two great soulful guitar solos in that style that can only be played by the King himself. It's a big set up with horn section, drums, bass and piano/organ. King's voice is also a big part of what really makes this performance, he sings the song so well, it's astonishing.
The song also features an amazing piano solo by pianist Eugene Carrier, he's not a very famous pianist, but from this performance you can tell that he had mad skills, an amazing talent.
This is just a great performance, B.B. sings fantastically, plays soulfully and amazingly, the band plays well and the pianist is out of this world. A truly great performance!

Enjoy ; )

Bootsy Collins - Stretchin' Out

This is performance by funk bass player Bootsy Collins from the television show "Night Music", a late night show that showcased performers and featured live performances.
The song Stretchin' Out was released in 1976 by Bootsy's band "Bootsy's Rubber Band", a funk band that was formed after Bootsy stopped touring and recording with James Brown. The song's full title is "Stretchin' Out (In a Rubber Band)".
It's a great performance, and it seems a little unrehearsed in the good way. It's a jam, and every performer gets a slot to strut their stuff, the sax, the guitar and the bass of course. A great performance from a time where live music actually had a decent slot in television.
(I know it's not exactly rock or blues, but funk is somewhat a descendent from the blues genre. I mean all those funky chords on the guitar were first played in blues and jazz songs, funk just sped it up, added a whole lot more wah and made it more funky). And besides, you should be able to enjoy this, or you've got no good music taste what so ever!

Enjoy ; )