Metallica - Nothing Else Matters

This is a live performance by metal band Metallica playing their ballad "Nothing Else Matters" live. This performance is from the 1999 S&M concert which is available on both CD and DVD. It's a great concert featuring Michael Kamen conducting the San Francisco symphony orchestra playing live with Metallica in concert.
The song was released as a single in 1992 and it originally appeared on the band's 1991 album entitled "Metallica" aka. "The Black Album".
The song is credited to James Hetfield and Lars Ulrich. Hetfield came up with the beginning of the song as he was plucking the four open strings of an Em chord while on the phone with his girlfriend. Originally Hetfield didn't want the song to be on the album, but after hearing it Lars convinced Hetfield to put it on the album. It is also one of the few tracks where Hetfield plays lead guitar. And on the original album version Hetfield recorded all of the guitar tracks on the song. So Hammett isn't even playing on this track.
The original album version was also scored by Michael Kamen. The band tuned down his scoring a lot, but a version with acoustic guitars, Hetfield's vocal track and the original composed piece by Kamen exists and is known as "The Elevator Version". Kamen orchestrated a lot of Metallica songs (including this one) for the S&M concert in San Francisco.
It's a really good song and a really good ballad for Metallica that seems to strike something in people when they listen to it. A really good track.

Enjoy ; )

The White Stripes/ The Rolling Stones ft. Robert Cray - Stop Breaking Down

These are two different contemporary versions of the classic Robert Johnson song "Stop Breaking Down".
The original recording done by Johnson was recorded in 1937 and released in 1938. Johnson did two takes of the song. They are pretty similar, but the length differs with 5 seconds. This original version is a solo piece with Johnson accompanying his own vocal performance on guitar. Both takes were originally used, but on two different pressings of the single.
The top video is of the duo The White Stripes doing their version of the song. This version was initially recorded and released on the duo's 1999 debut album entitled "The White Stripes". I really like this version. Jack's slide playing really elevates this song and breathes new life into it whilst still staying true to the original. Very well done in my opinion. (The video quality isn't the best, but still enjoyable).
The video below is The Rolling Stones' version of the song. The Rolling Stones recorded a cover of the song on their 1972 "Exile on Main St." album. This performance featuring Robert Cray is from the concert DVD "The Rolling Stones: Voodoo Lounge Live". The performances on this DVD were recorded in 2004. It's a very good version. Personally I prefer The White Stripe's rendition, but this version is very good as well.
So there you have it. Enjoy Johnson's original recording along with all of the modern interpretations of his stuff.

Enjoy ; )

Steve Vai - Jibboom

This is a performance by guitarist Steve Vai playing something a little more bluesy and outside his comfort-zone. The song appears on Vai's 1999 album "The Ultra Zone".
On the album Vai mentions that this track is an homage to blues guitarist Stevie Ray Vaughan. And you can definitely hear the resemblance, it's a classic blues progression that sort of is a take-off/sounds similar to songs recorded by SRV song like Scuttle Buttin', Mary Had a Little Lamb and Testify. It's an homage and it's own original thing, but the general feel and groove of the song is similar to many SRV songs.
Steve Vai recently said in a video posted on his official youtube channel that blues is outside his comfort-zone. He jokingly says that he plays blues within the comforts of his own home which is a pretty funny thing to say. (I've embeded the video below, he also shares some very good practice-techniques for guitar)

I really love how long this performance is. It starts out with the basic song, and then goes into Vai soloing. Then it turns into a "call and response" sort of thing between Vai and the bassist which is just awesome. The bassist really does an amazing job, and the two performers play to well together and interact so well on stage. At the end Vai goes into a Hendrix style guitar thing, making sounds by using the whammy bar, the natural harmonics and the control knobs to really make the guitar scream.
This is an awesome performance and awesome showmanship. Gotta love that!!

Enjoy ; )

Iron Butterfly - In-A-Gadda-Da-Vida

This is a live performance from 1999 by the band "Iron Butterfly" playing their classic 1968 song In-A-Gadda-Da-Vida (a play on the saying "In The Garden of Eden", probably what it sounds like on an acid trip). It was released in 1968, and it is famous for being one of the longest songs ever recorded on a studio album. The album version runs longer than 15 minutes, and most of it is musical breaks. It has been hated for this by many, but it was the 60's, so give them a break. It isn't a bad song, but listening to 15 minutes of playing is a little long. Not saying that I hate long recordings, I mean Stevie Ray Vaughan and Albert King's version of "Blues at Sunrise" is also about 15 minutes long, and I love that, but a little more is going on during that performance. Any ways, sidetracked.
This live version is 10 minutes, and cuts off a little at the end, probably uploaded when the youtube limit was 10 minutes for non-partners. The list of members this band has had is endless, and I don't feel like getting in to it, but all I can say is that this isn't the original line-up. They do a good job though.

Enjoy ; )
(Click here for a funny little gag from The Simpsons including this song)

Eric Clapton - Christmas Tears

This is a performance by Eric Clapton playing the Christmas song "Christmas Tears". The concert footage is from a benefit for The Special Olympics, and it is shot in Washington D.C. in December of 1998. President Bill Clinton and his wife Hillary were present, and they held the benefit.
There were many different acts present at the concert, and the year after the concert, a CD of the concert was released. (Click here to go to purchase a copy of the CD).
Other acts at the concert were: Mary J. Blige, Jon Bon Jovi, Tracy Chapman, Sheryl Crow, John Popper, Run–D.M.C. and Vanessa Williams
On Clapton's part this is a pretty standard blues tune, singing about loneliness and missing some one at Christmas. It doesn't have bells and all that, and in some ways it's not that uplifting, but I still think it's a pretty good song. Maybe just because it isn't your typical overproduced pop song, but a good blues song that just happens to be about Christmas.
It's a really good performance on Clapton's part, of a good and a little untraditional Christmas song.

Enjoy ; )

David Bowie - Let's Dance

This is a music video for the title track of Bowie's album "Let's Dance" released in 1983, and digitally re-mastered in 1999.
This is a great album by Bowie, it experiments with many different genres of music, it has a lot of funk influences, but also draws on more traditional rock and blues, and of course also the pop sound of the times.
The album is also famous for helping blues guitarist Stevie Ray Vaughan getting discovered. Bowie had heard Stevie's 1982 Montreux performance, and was impressed. They met up backstage and chatted, and it turned out they were in to some of the same weird things musically. Bowie admired Stevies sound, and hired him to play lead guitar on his next album which was "Let's Dance".
Stevie only plays lead guitar, the rhythm guitar on the album is Nile Rodgers. And Stevie's lead playing is very toned down, and not a huge part of the album, but still helps increase the sound and the experience.
The album cut of the song Let's Dance is 7:37, much shorter than what is used in the music video which I assume is also the radio edit of the song. They still left in all of Stevie's parts however which shows how much his lead playing helped the album.
Stevie was also offered a spot in David's live band that was going to tour for the album, but he turned it down, and went onto recording his first solo record with Double Trouble "Texas Flood", and got the massive career in the 80's.
It's a great song, and a pretty good looking music video for the times. Stevie isn't in the video, and Bowie pretends to play a Stratocaster looking guitar while wearing white gloves, perhaps a nod to Stevie and the fact that no one could play like him, who knows? Or maybe just David being odd.

Enjoy ; )