Stevie Ray Vaughan & Double Trouble with The Fabulous Thunderbirds - Keep It To Yourself

This is a live performance by Stevie Ray Vaughan and his band Double Trouble who are joined on stage with members from The Fabulous Thunderbirds. They play the song "Keep It To Yourself" which is a typical blues shuffle in E.
On stage, as far as I can tell, are: Stevie Ray Vaughan, his brother Jimmie Vaughan, Kim Wilson (from TFTB), Chris Layton (drums), and Tommy Shannon (bass).
The performance is from 1987 at the New Orleans Jazz & Heritage Festival and it was recorded on the riverboat S.S. Presidente. I'm guessing this was a double billing kind of thing where one band opened for the other, and then they all sort of did this jam to end things off.
It's a great performance. Of course the Vaughan Brothers deliver a couple of great blues solos, and Kim Wilson does a pretty good harmonica solo as well.
And over all great and enjoyable performance.

Enjoy ; )

Lou Reed & Metallica - Sweet Jane

This is a live performance from the Rock 'n' Roll Hall of Fame concerts that were held in New York City. The performance is from 2009 and features Lou Reed and Metallica together on stage performing the classic "Velvet Underground" song "Sweet Jane".
The song originally appeared on Velvet Underground's 1970 album "Loaded". The song was written by the band's leader Lou Reed who also continued playing the song throughout his later solo career. Throughout the course of the song it's been performed in two different keys: D & E. This particular performance is in D.

On another note. It has recently been revealed that Metallica has teamed up with Lou Reed for their next album release. In fact these recording sessions have spawned a 10 track album that has yet to get an official release date. That is, we don't even know how it's going to be released as neither Metallica nor Lou Reed is currently under any recording contract. I personally think this is a great piece of news and can't wait to hear it. Others probably won't agree with me on that, but how the fuck can you hate on something before having listened to it. I mean really!! Just read a couple of the comments for the video and you'll see how stupid it is, I mean hating on something before you've even heard it, come on man!!

A picture of Metallica frontman James Hetfield with Lou Reed (sitting down in the picture)
A good song with a good little piece of news.

Enjoy ; )

Johnny Copeland - Flying High

This is an acoustic live performance by Texas blues artist Johnny Copeland. He plays the song "Flying High" on a TV-recording (from 1989). It's a self-accompanied acoustic performance, it always fascinated me when artists did self-accompanied performances. The song it self I haven't been able to find any information on. I checked all of Copeland's tracks on Amazon and it looks like this one never made it on to any of his studio, compilation or live albums that they distribute at least.
It's a traditional blues in E though. He keeps it simple, but very effective. The rhythm and timing is spot on and the aggressive approach of using a pick to really make it loud really sounds great.
It's a great performance by a great blues man!

Enjoy ; )

Stevie Ray Vaughan - Hug You, Squeeze You

This is a live performance by blues guitarist Stevie Ray Vaughan. He performs the song "Hug You, Squeeze You", an up beat happy blues song.
The song is a take off, or maybe even a cover of a John Lee Hooker song that at least have very similar lyrics. The John Lee Hooker version is simply titled "I Want To Hug You".
This is a song that Stevie didn't perform very often, and it's also in a key that Stevie didn't use very much. It's played in the key of E. As most people who are fans of Stevie probably know, he tuned his guitar down one half step. This means that the key you get when playing a straight forward shuffle blues starting on the lowest string is in the key of Eb. Stevie basically forms what on a regularly tuned guitar would be an F chord, and takes it from there. So this is one of those rare occasions where Stevie is playing in the key of E on a guitar tuned in the key of Eb essentially. I think this is the only song where he does this, but I'm not sure.
Any ways, it gives the song and performance a unique sound.
It's a great performance, and a great song.

Enjoy ; )